区块链的三大核心技术是什么

三春晖的意思是春天灿烂的阳光，指慈母之恩。三春，旧称农历正月为孟春，二月为仲春，三月为季春，合称三春。晖，阳光。形容母爱如春天温暖、和煦的阳光照耀着子女。

The meaning of the third spring is the bright sun of spring, which means the grace of the mother of mercy. The third spring, which used to be known as the first month of the agricultural calendar, the second of February, the second of February, the third of the spring. The third of the spring, the sun. The mother's love is described as the warm spring, and the sun of the spring shines on her children.

拼音：sān chūn huī。

Scrabble: Sān ,

出处：

Origin:

唐朝诗人孟郊《游子吟》：“慈母手中线，游子身上衣；临行密密缝，意恐迟迟归。谁言寸草心，报得三春晖？”

The Tang dynasty poet Mon suburb: "Line in the hand of the mother of mercy, on the clothes of the son, in secret and in fear of delay."

译文：

Translation:

慈母用手中的针线，为远行的儿子赶制身上的衣衫。临行前一针针密密地缝缀，怕的是儿子回来得晚衣服破损。有谁敢说，子女像小草那样微弱的孝心，能够报答得了像春晖普泽的慈母恩情呢？

And with the threads of her hand, she sews her garments for a distant son. A needle sews in close order, lest the son return later in time to wear his clothes. Who dares to say that a child as tender as her weeds will be able to repay the mother's kindness like the mother of Spring-Punzier?

字词注释：

Word Comment:

1、游子：古代称远游旅居的人。

1. Surrounders: persons who have been known as long-distance travellers in ancient times.

2、吟：诗体名称。

2. Songs: the name of the poet.

3、临：将要。

3. P: To be.

4、意恐：担心。

4. Fear: Fear.

5、归：回来，回家。

Go home, go home.

6、谁言：一作“难将”。言，说。

6. Who says: "It's hard to say." Say it.

7、寸草：小草。这里比喻子女。

7 inches of grass: weeds. Here's a metaphor for children.

8、心：语义双关，既指草木的茎干，也指子女的心意。

Heart: Semantics and semantics, both in the trunks of the grass and in the hearts and minds of the children.

9、报得：报答。

9. Reward: Reward.

赏析：

Excerpt:

深挚的母爱，无时无刻不在沐浴着儿女们。然而对于孟郊这位常年颠沛流离、居无定所的游子来说，最值得回忆的，莫过于母子分离的痛苦时刻了。此诗描写的就是这种时候，慈母缝衣的普通场景，而表现的却是诗人深沉的内心情感。

The true love of the mother is always bathed in her children. But nothing is more reminiscent of the long-standing, unsettled swath of the monstrosity than the painful moments of separation of the mother and son. This is what the poem describes as the ordinary scene of the masculinity of the mother's dress, while it displays the deep feelings of the poet's heart.

开头两句“慈母手中线，游子身上衣”，实际上是两个词组，而不是两个句子，这样写就从人到物，用“线”与“衣”两件极常见、最普通的东西将“慈母”与“游子”紧紧联系在一起，写出母子相依为命的骨肉之情。紧接两句“临行密密缝，意恐迟迟归”，写出了人的动作和意态，把笔墨集中在慈母上。这里通过慈母为游子赶制出门衣服的动作和心理的刻画，深化母子的骨肉之情。临行前的此时此刻，母亲的千针万线，针针线线“密密缝”是因为怕儿子“迟迟”难归。慈母的一片深笃之情，正是通过日常生活中的细节自然地流露出来。朴素自然，亲切感人。这里既没有言语，也没有眼泪，然而一片爱的纯情从这普通常见的场景中充溢而出。

The first two sentences, "Line in the Hand of Mercy Mothers, Clothes on the Wanderer" are actually two phrases, not two sentences. They are written from the person to the object, using the "Line" to the "Little" to the "Little" to the "Little" to the "Little" to the "Little Mother" to the "Rittle Son" to the "Little Son" to write about the flesh and bones of the mother. The next two sentences, "Little in the Hand, Fear of Delay" to the mother, write about the movement and gestures of the human being, and concentrate the penk on the mother of Mercy. There are no words, nor tears, but there is nothing in the heart of love, and the thread of love is pouring out from this common view.

前面四句采用白描手法，不作任何修饰，但慈母的形象真切感人。最后两句是前四句的升华，以当事者的直觉，翻出进一层的深意：“谁言寸草心，报得三春晖。”作者直抒胸臆，对母爱作尽情的讴歌。这两句采用传统的比兴手法，儿女像区区小草，母爱如春天阳光。悬绝的对比，形象的比喻，寄托着赤子对慈母发自肺腑的炽烈的情感。

The first four sentences are white-faced, without any embellishment, but the image of a loving mother is moving. The last two are the first four sentences, which, in their intuitions, turn to the depths of the words: “Whosoever has the heart to speak, has the heart to speak of three springs?” The author speaks out and sings a song of love to a loving mother. These two sentences are based on traditional euphemisms, and children are like small grasses, and mothers are like spring sun. The contrast of images, the analogy of images, is based on the strong feelings of the naked child in the mouth of a loving mother.

这是一首母爱的颂歌，在宦途失意的境况下，诗人饱尝世态炎凉，穷愁终身，故愈觉亲情之可贵。“诗从肺腑出，出辄愁肺腑”（苏轼《读孟郊诗》）。这首诗，虽无藻绘与雕饰，然而清新流畅，淳朴素淡中正见其诗味的浓郁醇美。

This is the hymn of a mother-in-law, and in a state of displeasure, poets become more and more precious when they suffer from the coldness of the world and sorrow for life. "Possiance comes out of the lungs and gloats." This poem, without alms and sculptures, is new, yet fresh and plain as it is in its taste.

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