斯芬克斯元宇宙戲劇節即將開幕

　　原標題：全球首屆元宇宙戲劇節：虛實交互世界 一觸即發

Original title: The First Global Dollar Cosmos Theatre Festival: The Real Interactive World Inflammation

　　球首屆元宇宙戲劇節，除了看戲還能怎麼玩兒？答案是：拿出你的創造力，共創共建元宇宙。 ”斯芬克斯（SPHINX），古希臘語裏代表“活生生的想像”。只有當人類開始直視自己和宇宙，才能進入斯芬克斯身後那個充滿一切可能的未來世界。”

The first Won-Cosmos Festival, how else can it play besides watching? The answer is to bring out your creativity and create a co-consensual universe. "SPHINX, in ancient Greek, stands for "living imagination." Only when humans begin to look at themselves and the universe, can they enter the world behind Sphinx, full of all possible possibilities for the future.

　　北京——首屆斯芬克斯元宇宙戲劇節由北京市文學藝術界聯合會主辦，北京戲劇家協會和北京青年戲劇工作者協會承辦，由孟京輝擔任戲劇節藝術總監，劉暢擔任總監製，聶競竹擔任策劃總監，陳燕擔任“元宇宙”技術總顧問，由孫曉星、陳婧姝、王之綱、張武擔任獨立策展人。同時特邀798作為戲劇節的“首席藝術生態戰略夥伴”。即將與4月15日至5月7日從元宇宙至線下真實世界精彩呈現！

BEIJING — The inaugural Sphinx space theatre festival was hosted by the Beijing Association of the Arts and Arts Community, the Beijing Association of Theatreists and the Beijing Youth Theatre Artists, and was hosted by the Monjinghui Association, which served as the director-general of the drama festival, the Chinese competition as the director-general, the Chinese competition as the director-general, and Chen Yin as the director-general of the technology for the “won universe” and Sun Xiaoxing, Chen Xing, Wang Jian, and Zhang Wu as the stand-alone promoter.

　　如果以戲劇作為元宇宙的入口，斯芬克斯依然坐在高處，攔住熙熙攘攘湧來的人們，用繆斯傳授的謎語發問——賽博朋克，AI數字人與你，誰將最終獲得通往太空劇場的入場劵？這將是一場用戲劇性、想像力和情感連結現實與虛擬世界，打破疆域界限、時間限制，線上線下聯動的大派對。65部元宇宙戲劇重磅發佈 八大藝術板塊多維度來襲

If drama were to be the entrance to the meta-cosm, Sphinx would still be sitting in high places, stopping people from Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi Xi X Xi Xi Xi Xi X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Xi Xi X X X X X X X X Xi Xi Xi Xi Xi Xi Xi Xi Xi X X X Xi X X X X X X X X X

　　此次斯芬克斯戲劇節共分為八大板塊：國內精彩展演、國際縱橫劇場、藝術互動劇情、沉浸樂園劇集、線上演繹劇院、跨界聯合區域、峰會論壇聯盟、藏品蟲洞系列。斯芬克斯元宇宙戲劇節將集結百位國內外劇壇巨匠與新銳力量，在戲劇節八個板塊共同呈現帶來65部泛戲劇作品。

The Sphinx Festival is divided into eight major pieces: the national show, the international theatre, the art interactive scene, the immersion park drama, the online theatre, the cross-border union, the summit forum coalition, and the Tibetan wormhole series. The Sphinx Festival will bring together hundreds of giants and new powers from foreign and domestic theatres, bringing together 65 pancreatic works on the eight sections of the festival.

　　全球首屆元宇宙戲劇節的開幕大戲，是著名當代戲劇導演孟京輝老師的《浮士德》。劇中的龐大敘事和宏大美學，都將以先鋒戲劇結合元宇宙創新技術，讓想像和情感連接虛擬與現實，為觀眾帶來一場虛實結合的新時代戲劇革命。《浮士德》是德國作家歌德的畢生大作，與荷馬史詩、但丁的《神曲》、莎士比亞的戲劇並稱為最偉大的作品。《浮士德》構思宏偉，內容複雜，結構龐大，風格多變，融現實主義與浪漫主義于一爐，將真實的描寫與奔放的想像、當代的生活與古代的神話傳説雜糅一處。場面安排更是時莊時諧、有諷有頌、形式多樣、色彩斑駁，達到了極高的藝術境界。在劇中，觀眾將像浮士德一樣，與魔鬼簽下契約，進入獨一無二的純虛擬體驗，帶入浮士德一場幻夢，那個魔鬼幻化出的世界……

Faust, the premiere of the world’s first seminal space drama, is the first of the most famous contemporary theatres of the German writer Goethe’s, and the scenes of Homer’s Scene, Dante’s Theater, Shakespeare’s plays and what they call the greatest. The Faust’s vision, complexity, complex structure, style, convergence of ideas and romanticism will bring about a new, contemporary drama revolution for viewers. Faust is the first of its kind by the German writer Goethe, and the first of its kind by the ancient myths by the time by the Buddha, by the myth of Dandin, by the myth of Shakespeare, is the greatest.

　　劉暢導演的戲劇作品《人間樂園》是一個閾限空間的人間樂園，一個真實存在的世界，又或者説是AI版《神曲》。地獄到天堂，詩人但丁用他的筆述説了在“人生的中途”所做的一個夢。回到人間，畫家博斯勾勒出一座不存在的樂園為自己身處的時代描繪各種嘗試和幻想。今天，在《人間樂園》中，觀眾將行走在城市和海邊的真實空間，通過MR混合現實，將虛擬世界的景象與真實世界的場景，流動的表演與真實的人群融合完成演出。

To hell, the poet Dante used his words to describe a dream he had made in the middle of life. Back to the ground, the painter Boss drew a picture of a non-existent paradise for his time. In the middle of the day, the audience would walk in the real spaces of the city and the sea, combining the scenes of the virtual world with the scenes of the real world, the lively performances and the real crowds.

　　李建軍導演的《世界旦夕之間》是一部取材自1972年德國電影導演法斯賓德的科幻電影的戲劇作品，故事在一個三重空間裏展開。元宇宙的探索逐漸把我們推向另一個虛擬的存在，戲劇中的故事正在變成現實，面對飛速革新的技術你是否有一絲恐懼？作為中國當代劇場藝術重要的實踐者，李建軍導演將會如何在劇場中為我們呈現他所認為的“科幻”呢？如何在看似平和、無波無瀾、依賴技術的現實時空中，呈現一個瀕臨末日的虛擬世界？這次斯芬克斯元宇宙戲劇節李建軍導演還將帶來全新改編的《變形記》，在荒誕離奇的故事中拷問當下。

Lee’s founding director, The World’s New Year, is a play from the 1972 German film director Fasbender’s science fiction film, and the story unfolds in a triple space. The exploration of the Won Universe is pushing us to another virtual existence, and the drama is turning into reality. Are you afraid of the rapid innovation? As an important artist of contemporary Chinese theatre art, how will the Lee founding director present what he thinks is a “scientific fiction” in the theatre? How is the end-of-life world in a world that looks peaceful, insensitive, technologically dependent on reality?

　　脫胎于中國獨角戲女王黃湘麗最負盛名的獨角戲作品《一個陌生女人的來信》，在10週年演出到來之際，將在美術館空間進行孿生戲劇《陌生女人的擁抱》。VeeR旗下頭部VR製作公司VeeR Studio發揮VR特有的沉浸與交互特性，並結合迷宮裝置、玻璃舞等，讓觀眾“身臨其境”地”墜入陌生女人的懷抱”。此外，該內容也將同步上線VeeR旗下VR沉浸娛樂社交平臺VeeRLand。

In the 10th anniversary of the Queen of China's most famous solo show, "A Letter from a Strange Woman", a live play, "The Embrace of a Strange Woman", will take place in the gallery space. VeeR Studio, a leading VR production company under the flag of VeeR, has developed VR-specific immersion and interaction features, combining maze devices, glass dances, etc., to enable viewers to “fall in” the arms of a strange woman. In addition, it will synchronize VER under the flag of VeeR with VeeRLand.

　　在賽博劇場，二次元戲劇導演孫曉星將帶來《秀秀玻璃動物館之北上廣不相信元宇宙》，從超級CBD、網際網路大廠聚集區到城郊大學城，收藏漂亮或醜陋的小動物的秀秀，正在為戀愛或失戀掉光眼淚。

At the Cyber Theatre, the second dollar drama director, Sun Xiaoxing, will bring " The North of the Showglass Zoo does not believe in the Won cosmos ", from a supercede of CRD, a big Internet factory gathering, to a suburban university town, where beautiful or ugly little animals are collecting shows that are tearing their eyes off for love or loss of love.

　　青年戲劇鬼才陳老巨長期致力於戲劇與人工智慧的研究，他的《俄狄浦斯與機械神諭》是一個專注于實驗密碼學與神經場論交叉學科的研究項目，旨在深入探究一種名為俄狄浦斯的異常現象/異常生物，通過有限接觸測試以獲得更多關於該現象的知識。

The young dramatists have long been working on theatre and artificial intelligence, and his Oedipus and Mechanical Oracle is a research project focused on the cross-section of experimental cryptology and neurology, aimed at exploring in depth an unusual phenomenon/obsolete known as Odipus to gain more knowledge of the phenomenon through limited touch tests.

　　在王梓行打造的《奧賽羅元宇宙養豬》場裏，有四隻小豬變得不太安分。它們粉刷墻壁，翩翩起舞，變得暴戾乖張，又在重復誓言。它們把愛情和嫉妒交織在一起，而真相和謊言又似曾相識。你可以是旁觀者，可以是飼養員，可以是屠夫，也可以是奧賽羅。歡迎你們認養它們，希望它們茁壯成長。

There are four small pigs who have become less secure in the "Othero dollar cosmodromus pighouse" built by the King. They paint walls, dance, and become violent, and they repeat their vows. They bind love and jealousy together, and truth and lies seem familiar. You can be bystanders, either butchers or Oseros. You are welcome to recognize them and wish them to grow.

　　虓漢導演的《腦死亡自助餐》，是一部無論你連接到什麼，只能享受，不能帶走的戲劇。當一切都在加速向前時，出口和終點卻越來越飄渺，人類早就被定為投喂給系統的養料；在這迴圈往復，卻富麗堂皇的宮殿裏，我們的脆弱還能為我們抵擋什麼？

The head death buffet, directed by Han, is a play that you can only enjoy, and cannot take away, whatever you receive. When everything accelerates forward, the exits and the end point are becoming more and more remote, humans are already defined as feeding the system; in this circle, but in this glorious palace, what else can our vulnerability stand in our way?

　　聯動導演 / 藝術家 / 元宇宙科技公司 / 線下場景，打造虛實交互的元宇宙沉浸式體驗　　從提出“元宇宙戲劇節”的想法開始，幾位發起人都有一個共同的願景，要為為全球藝術愛好者們打造元宇宙專屬的沉浸式、虛擬與現實的雙重體驗。為此，集結了一眾國內科技領域具有遠見卓識的先行者，在技術、硬體、場域及內容上達成深度並具有創造性的合作。17家國內外頂尖科技公司將為元宇宙戲劇節的想像插上翅膀，保駕護航。戲劇節聯合世界五大戲劇節共同發聲，打破疆域界限，時間限制，戲劇藝術的新里程碑的現世。戲劇論壇將與國內科技界翹楚、媒體一起實現跨領域、跨地域的討論，提出現有問題的解答可能性，找出對未來的提問方向。在蟲洞單元，我們將由和戲劇相關的NFT藏品、元宇宙市集，交換式拍賣，線上線下孿生、虛擬實體共存。同時，聯動全球首所元宇宙藝術學院Meta Art Academy （由知名院校中國美術學院主導創建）開啟元宇宙藝術教育及學術討論。斯芬克斯元宇宙戲劇節也將秉承更加開放的態度，將戲劇節中所有探討出來的新藝術概念、創作出來的新藝術模組開放給所有參與的人， 在未來也持續的共同創作、共同演繹。

Starting with the idea of a meta-cosm show, several people have a common vision to create a seminal, virtual and realistic two-fold experience for global art lovers. To bring together a country’s far-sighted pioneers in technology, time limits, and the new milestones in the art of the show, it will be used by 17 foreign technology companies to create an imagination for the show, preserve the ship’s safety. The show will bring together five world-renowned dramas, break the boundaries of the theatre, limit the time of the show, and create new milestones in the art of the show.

　　戲劇節承制、虛擬人生態合作夥伴次世文化助力藝術科技想像

Theatered, Simultaneous Life Partnering with Next Generation Cultural Support Art and Technology Illustration

　　作為專注于虛擬生態構建的科技公司，次世文化此次作為全球首屆斯芬克斯戲劇節承制、虛擬人生態合作夥伴，罕見地將國內頂尖技術資源進行聚合，聯動了業內數家資深和新興科技公司入駐戲劇節，深度參與劇目製作。

As a technology company focused on virtual life, the culture of the next generation, as the world’s first Svenks drama troupe and virtual life partnerships, has rarely brought together the country’s top technological resources, bringing together a number of industry-based and new technology companies in theatre festivals and deeply involved in the production of dramas.

　　作為打造了翎LING、南夢夏、ASK等知名虛擬人IP以及迪麗冷巴、韜斯曼等明星虛擬形象IP的公司，次世文化善於挖掘新形態的內容載體，並積極構建以數字身份為核心的元宇宙生態系統；本次聯合斯芬克斯戲劇節，是雙方在內容形態和創意想像上的一次重要且新奇的探索，將著力於構建一個更加開放和融合的元宇宙生態，並以戲劇導演、演員、藝術家、音樂人等的優質內容為當下戲劇觀眾、網際網路3.0時代用戶呈現更加多元、生動的虛擬世界。

As a company that has built a more open and integrated meta-cosmography of famous virtualists such as Ling, Nannxia, ASK, and stars such as Dilie Kamba, Xuesman and others, the culture of the next generation is good at digging for new forms of content and actively constructing a meta-cosm system centred on digital identity; this United Sphinx Theatre is an important and innovative exploration of content and creativity that will focus on building a more open and integrated meta-cosmic life with a more diverse and dynamic virtual world based on the merits of theatre directors, performers, artists, musicians, etc.

　　藏品蟲洞——元宇宙世界戲劇藝術愛好者的新玩法　　

"Strong" Pocket Wormhole -- a new game for art lovers of the Meso-Cosmos plays

      3月21日，首屆斯芬克斯元宇宙戲劇節與唯一藝術深度合作，發售10款專屬數字藏品，以盲盒形式發售，共計999份。發售的藏品兼顧了藝術性與科技性，由83位各行各業對元宇宙有感覺、有感觸、有感知的人士輸出關鍵詞，並據此由AIGC技術生成圖片，將圖片二次創作形成海報後，上鏈製作為數字藏品發售。

& nbsp; & nbsp; & nbsp; 21 March, the first Sphinx dollar Cosmos Festival, in collaboration with the only art depth, launched 10 digit collections, distributed in a blind box, for a total of 999 copies. The collections were both artistic and technological. The key words were given by 83 people from all walks of life who felt, touched, and felt the meta-cosm.

　　本次發售的數字藏品，還綁定了一系列專屬權益。在4.10-4.15期間，持有該數字藏品的用戶都可訪問斯芬克斯“元宇宙主題攝影館”。用戶還有機會獲得更多權益，如戲劇節衍生品禮盒、從《浮士德》、《世界旦夕之間》、《人間樂園》等作品中隨機抽取的盲盒門票。

During the period 4.10-4.15, users holding the digital collection were able to visit the Sphinx “Memorial Cosmos Photo Gallery.” Users also had the opportunity to gain more rights, such as the drama derivative gift box, randomly extracted tickets to the blind box from works like Faust, the World’s Day, and the Garden for Humans.

　　【虛實之間】VR影像展　　

VR Video Show

       首屆斯芬克斯元宇審戲劇節將與VeeR 聯合舉辦【虛實之間】VR影像展，展映片單包括《時光投影裏的秘密》、《禁忌·詭校》、《意識漂流》、《靜影九龍》、《空間少女》等眾多優質VR內容，屆時也將同步上線沉浸娛樂社交平臺VeeRLand。

& nbsp; & nbsp; & nbsp; & nbsp; the first Sphinx Dollar Theatre Festival will be co-organised with VeeR for VR Videos, which will include The Secrets of Time Projecting, The Prescription & #183; and the many high quality VR content such as Quaker School, Illustrative Drifting, The Nine Dragons of Silent Shadows, and Girls in Space, which will also be synchronized online to enjoy VeeRLand.

　　元宇宙開幕party 人人都是主角兒

{\bord0\shad0\alphaH3D}The opening party of the Woncosmos.

　　全球首屆元宇宙戲劇節，除了看戲還能怎麼玩兒？答案是：拿出你的創造力，共創共建元宇宙。

What else can the world's first Won-Cosmos Festival do than watch? The answer is to bring your creativity to create a co-founder universe.

　　「大有」將開放元宇宙技術服務，解決算力、渲染等問題，支援創作者上傳自己的空間場景和avatar，幫助優化的同時提供相關版權支援。在元宇宙戲劇節這個大舞臺上，人人都可以化身為元宇宙的原住民、戲劇節的創造者，共用流量共襄盛舉。

“Mobile” will open up meta-cosm technology services, solve questions about computing, rendering, etc., and support creators in uploading their space scenes and avatars, helping to provide relevant copyright support at the same time as the eugenics. On this stage, everyone can become the indigenous people of the meta-cosmos, the creator of the drama, and share the flow.

　　真正的元宇宙戲劇節不僅僅是線上觀看，更是要進場參與 。在充滿自由感和想像力的元宇宙世界裏，未來將會怎樣，答案在每一位參與者手中。

The real meta-cosm show is not just an online view, but rather an introspection. In a metro-cosmic world full of freedom and imagination, what is the future, and the answer is in the hands of everyone involved.

　　首席藝術生態戰略夥伴798助力元宇宙戲劇節將虛擬精彩引入現實

The 798 Auxiliary Space Theatre Festival, a leading art-life strategy partner, introduced virtual beauty into reality.

　　“斯芬克斯元宇宙戲劇節”與北京七九八文化科技有限公司達成戰略合作夥伴關係。本屆戲劇節特邀798作為戲劇節的“首席藝術生態戰略夥伴”，798藝術區也會作為本屆戲劇節的主會場，呈現精彩紛呈的劇目。798藝術區是全球文化藝術愛好者的集散地，有著極強的群體價值，與798的聯袂，正因它是一個文化藝術産業發展的中心，很好的承載了多元化文化藝術生態。

The Sphinx dollar Cosmos Festival has entered into a strategic partnership with Beijing 798 Cultural Science and Technology Limited. This theatre festival is invited as a leading art-life strategic partner for the drama, and the 798 art district will also be featured as the main venue for the festival. The 798 art district is a confluence of lovers of global cultural art, with a strong group value, a connection with 798, as it is a centre for the development of cultural art and is well-placed in the diversity of cultural art.

　　與“斯芬克斯元宇宙戲劇節”的深入合作，也是798探索科技與藝術融合發展的又一次全新嘗試。“斯芬克斯元宇宙戲劇節”希望借此機會，將戲劇節“元宇宙”的概念，結合iCUBE Museum所探討的虛擬、現實空間關係的議題不斷延伸和擴展，在充滿戲劇化的視覺實驗中，展現衝突、反差共存的關係。

Deep collaboration with the Sphinx dollar Cosmos Festival is yet another new attempt to explore the integration of technology and art in 798. The Sphinx dollar Cosmos Festival hopes to take this opportunity to bring together the concept of the drama festival, the meta-cosm, the issues of virtual, real-life space relations that iCUBE Musium explores, and to show the relationship between conflict and the opposite of coexistence in dramatic visual experiments.

　　全球首屆元宇宙戲劇節，這只是一個開始

It's just the beginning of the world's first Won-Coscene Festival.

　　作為當前中國戲劇屆最具影響力的著名實驗先鋒戲劇導演，首屆元宇宙戲劇節斯芬克斯戲劇節藝術總監孟京輝自上個世紀八十年代開始即以一系列具有獨特孟氏美學的戲劇作品深刻地影響與回應時代。新世紀裏，又以一系列氣質鮮明的戲劇節為支點，為當代戲劇聚集更多力量掀起不息浪潮；戲劇節總監製劉暢身份多元，極具好奇心與冒險精神，他是孟京輝戲劇工作室主力演員、青年導演、跨界策展人、黑貓劇團團長，同時也是一個自由藝術家；戲劇節另一位策劃總監中國著名平面設計師，視覺藝術家聶競竹，她也曾任包括北京國際青年戲劇節、烏鎮戲劇節在內的國內各大戲劇節及行業盛會的平面視覺總監。

The new century, supported by a series of well-known drama festivals, has brought more power to the stage than ever before; the theatre director has a diverse, curious and adventurous character, and he is a leading actor in the Chinese theatre studio, a youth director, a cross-border artist, and a director of the Black Cat Theatre, and a free artist at the same time; another theater director, a prominent Chinese graphic designer, a visual artist, who was also part of the country’s premiere.

　　正如三位所説：真正的元宇宙戲劇節不僅僅是線上觀看，更是要進場參與 。在充滿自由感和想像力的元宇宙世界裏，未來將會怎樣，答案在每一位參與者手中。全球首屆元宇宙戲劇節，這只是一個開始。

As three have said: The real meta-cosm show is not just an online view, but also an introspection. In a metro-cosmos world full of freedom and imagination, what will the future look like, and the answer is in the hands of every participant. The world’s first meta-cosm show is just the beginning.

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